Drishti and Rashmick worked with the Techlab participants in Phase Two – Exploration. This phase lasted four months during which the cohort received support in areas such as sustainability, business model development, multi-platform programming and accessibility.
We run a fashion brand called Lafaani but we’re not from a design background. Before we launched our brand, we had worked in various social impact projects including agriculture, water and sanitation.
The textiles and handicrafts of India was a personal interest which we both pursued in our free time. We launched Lafaani when Covid hit with a small investment, the minimum, more or less, required to launch an independent brand.
What we’ve seen of sustainability in fashion is that people talk a great deal about some fairly token gestures. You see some brands that are very pleased with themselves for upcycling waste while their primary material is made of synthetic fibres. We don’t often hear about whether they’re paying fair wages as part of sustainability, whether they’re providing humane working conditions, or how much they’re producing.
We wanted to look at process, the material and people right from the start, along with educating the customer how to use it better, how to repair it and how to dispose of it better. We also encourage the agency of the artisans we work with. We don’t often tell them how we want them to make our fabric, we’re very happy picking up and integrating what they’ve made into our design language. The embroiderers we work with are our co-creators, they are choosing the designs and colours.
Sustainability doesn’t just cover the environment, it’s societal and cultural. We want to preserve traditional crafts because there’s already a sector dependent on craft knowledge which has been passed down through generations.